Richard Hills

Designed by Jeff Levine, Foreign Film JNL is an art deco and display sans font family. This typeface has two styles and was published by Jeff Levine Fonts . Foreign Film JNL The Art Deco hand lettered opening credits for the 1936 French drama “La Belle Équipe” [English title: “They Were Five”] provided the inspiration for Foreign Film JNL , which is available in both regular and oblique versions. According to Wikipedia, the film “…tells the story of five unemployed workers who win the jackpot in the national lottery but their solidarity then proves fragile.” Foreign Film JNL Download Now View Gallery

Designed by Jeff Levine, Foreign Film JNL is an art deco and display sans font family. This typeface has two styles and was published by Jeff Levine Fonts . Foreign Film JNL The Art Deco hand lettered opening credits for the 1936 French drama “La Belle Équipe” [English title: “They Were Five”] provided the inspiration for Foreign Film JNL , which is available in both regular and oblique versions. According to Wikipedia, the film “…tells the story of five unemployed workers who win the jackpot in the national lottery but their solidarity then proves fragile.” Foreign Film JNL Download Now View Gallery

Designed by Hendry Juanda, Hintown is an art deco, display and display serif font published by Letterhend Studio . Download Now Server 1 Download Now Server 3 Download Now Server 2 Hintown is a unique serif with classy and classic look with vintage feel, inspired by art deco and 1900 signages. This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : - uppercase and lowercase - numbers and punctuation - multilingual - PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. Hintown

Designed by Jeff Levine, Afterword JNL is an art deco font family. This typeface has two styles and was published by Jeff Levine Fonts . Download Now Server 1 Download Now Server 3 Download Now Server 2 At the end of the 1931 gangster film “The Public Enemy” a hand lettered card offers up an afterword on the demise of Tom Powers (James Cagney’s character in the film) and how a “public enemy” is neither a man nor a character but a problem society must deal with. The text is in an Art-Deco influenced sans serif, and has been digitally recreated as Afterword JNL , which is available in both regular and oblique versions. Afterword JNL

Designed by Jeff Levine, Afterword JNL is an art deco font family. This typeface has two styles and was published by Jeff Levine Fonts . Download Now Server 1 Download Now Server 3 Download Now Server 2 At the end of the 1931 gangster film “The Public Enemy” a hand lettered card offers up an afterword on the demise of Tom Powers (James Cagney’s character in the film) and how a “public enemy” is neither a man nor a character but a problem society must deal with. The text is in an Art-Deco influenced sans serif, and has been digitally recreated as Afterword JNL , which is available in both regular and oblique versions. Afterword JNL

Designed by Jeff Levine, Afterword JNL is an art deco font family. This typeface has two styles and was published by Jeff Levine Fonts . Download Now Server 1 Download Now Server 3 Download Now Server 2 At the end of the 1931 gangster film “The Public Enemy” a hand lettered card offers up an afterword on the demise of Tom Powers (James Cagney’s character in the film) and how a “public enemy” is neither a man nor a character but a problem society must deal with. The text is in an Art-Deco influenced sans serif, and has been digitally recreated as Afterword JNL , which is available in both regular and oblique versions. Afterword JNL

Designed by Jeff Levine, Afterword JNL is an art deco font family. This typeface has two styles and was published by Jeff Levine Fonts . Download Now Server 1 Download Now Server 3 Download Now Server 2 At the end of the 1931 gangster film “The Public Enemy” a hand lettered card offers up an afterword on the demise of Tom Powers (James Cagney’s character in the film) and how a “public enemy” is neither a man nor a character but a problem society must deal with. The text is in an Art-Deco influenced sans serif, and has been digitally recreated as Afterword JNL , which is available in both regular and oblique versions. Afterword JNL

Designed by Jeff Levine, Afterword JNL is an art deco font family. This typeface has two styles and was published by Jeff Levine Fonts . Download Now Server 1 Download Now Server 3 Download Now Server 2 At the end of the 1931 gangster film “The Public Enemy” a hand lettered card offers up an afterword on the demise of Tom Powers (James Cagney’s character in the film) and how a “public enemy” is neither a man nor a character but a problem society must deal with. The text is in an Art-Deco influenced sans serif, and has been digitally recreated as Afterword JNL , which is available in both regular and oblique versions. Afterword JNL

Designed by Jeff Levine, Afterword JNL is an art deco font family. This typeface has two styles and was published by Jeff Levine Fonts . Download Now Server 1 Download Now Server 3 Download Now Server 2 At the end of the 1931 gangster film “The Public Enemy” a hand lettered card offers up an afterword on the demise of Tom Powers (James Cagney’s character in the film) and how a “public enemy” is neither a man nor a character but a problem society must deal with. The text is in an Art-Deco influenced sans serif, and has been digitally recreated as Afterword JNL , which is available in both regular and oblique versions. Afterword JNL

Designed by Jeff Levine, Afterword JNL is an art deco font family. This typeface has two styles and was published by Jeff Levine Fonts . Download Now Server 1 Download Now Server 3 Download Now Server 2 At the end of the 1931 gangster film “The Public Enemy” a hand lettered card offers up an afterword on the demise of Tom Powers (James Cagney’s character in the film) and how a “public enemy” is neither a man nor a character but a problem society must deal with. The text is in an Art-Deco influenced sans serif, and has been digitally recreated as Afterword JNL , which is available in both regular and oblique versions. Afterword JNL

Designed by Jeff Levine, Afterword JNL is an art deco font family. This typeface has two styles and was published by Jeff Levine Fonts . Download Now Server 1 Download Now Server 3 Download Now Server 2 At the end of the 1931 gangster film “The Public Enemy” a hand lettered card offers up an afterword on the demise of Tom Powers (James Cagney’s character in the film) and how a “public enemy” is neither a man nor a character but a problem society must deal with. The text is in an Art-Deco influenced sans serif, and has been digitally recreated as Afterword JNL , which is available in both regular and oblique versions. Afterword JNL

Designed by Jordan Davies, Devendra is an art deco font published by Wooden Type Fonts . Download Now Server 1 Download Now Server 3 Download Now Server 2 An art deco style sans serif font, unusual in that negative spaces are missing from letters like lower and upper case o. Devendra

Designed by Jordan Davies, Devendra is an art deco font published by Wooden Type Fonts . Download Now Server 1 Download Now Server 3 Download Now Server 2 An art deco style sans serif font, unusual in that negative spaces are missing from letters like lower and upper case o. Devendra

Designed by Jeff Levine, Mantequilla JNL is an art deco font family. This typeface has two styles and was published by Jeff Levine Fonts . Download Now Server 1 Download Now Server 3 Download Now Server 2 Some unusual hand lettering was found on the cover of the 1924 edition of a Spanish language novel by Joaquin Belda entitled “La Hora del Abandono” (“The Time of Abandonment”). The title was created as all lower case characters in a semi-serif style reflecting the dawn of the Art Deco movement. A new set of capital letters was created for this digital revival, along with the numbers, punctuation and other necessary glyphs. Mantequilla JNL is available in both regular and oblique versions. For those unfamiliar with the Spanish language, Mantequilla (pronounced mon-tay-key-yuh) means butter. Mantequilla JNL

Designed by Jeff Levine, Mantequilla JNL is an art deco font family. This typeface has two styles and was published by Jeff Levine Fonts . Download Now Server 1 Download Now Server 3 Download Now Server 2 Some unusual hand lettering was found on the cover of the 1924 edition of a Spanish language novel by Joaquin Belda entitled “La Hora del Abandono” (“The Time of Abandonment”). The title was created as all lower case characters in a semi-serif style reflecting the dawn of the Art Deco movement. A new set of capital letters was created for this digital revival, along with the numbers, punctuation and other necessary glyphs. Mantequilla JNL is available in both regular and oblique versions. For those unfamiliar with the Spanish language, Mantequilla (pronounced mon-tay-key-yuh) means butter. Mantequilla JNL

Designed by Jeff Levine, Golden Moment JNL is an art deco font family. This typeface has two styles and was published by Jeff Levine Fonts . Download Now Server 1 Download Now Server 3 Download Now Server 2 The hand lettered cast credits for the 1939 film “Golden Boy” (starring Barbara Stanwyck, Adolphe Menjou, William Holden and Lee J. Cobb) was the model for Golden Moment JNL , which is available in both regular and oblique versions. Golden Moment JNL

Designed by Jeff Levine, Mantequilla JNL is an art deco font family. This typeface has two styles and was published by Jeff Levine Fonts . Download Now Server 1 Download Now Server 3 Download Now Server 2 Some unusual hand lettering was found on the cover of the 1924 edition of a Spanish language novel by Joaquin Belda entitled “La Hora del Abandono” (“The Time of Abandonment”). The title was created as all lower case characters in a semi-serif style reflecting the dawn of the Art Deco movement. A new set of capital letters was created for this digital revival, along with the numbers, punctuation and other necessary glyphs. Mantequilla JNL is available in both regular and oblique versions. For those unfamiliar with the Spanish language, Mantequilla (pronounced mon-tay-key-yuh) means butter. Mantequilla JNL

Designed by Jeff Levine, Golden Moment JNL is an art deco font family. This typeface has two styles and was published by Jeff Levine Fonts . Download Now Server 1 Download Now Server 3 Download Now Server 2 The hand lettered cast credits for the 1939 film “Golden Boy” (starring Barbara Stanwyck, Adolphe Menjou, William Holden and Lee J. Cobb) was the model for Golden Moment JNL , which is available in both regular and oblique versions. Golden Moment JNL

Designed by Jeff Levine, Golden Moment JNL is an art deco font family. This typeface has two styles and was published by Jeff Levine Fonts . Download Now Server 1 Download Now Server 3 Download Now Server 2 The hand lettered cast credits for the 1939 film “Golden Boy” (starring Barbara Stanwyck, Adolphe Menjou, William Holden and Lee J. Cobb) was the model for Golden Moment JNL , which is available in both regular and oblique versions. Golden Moment JNL

Designed by Jeff Levine, Movie Classic JNL is an art deco font family. This typeface has two styles and was published by Jeff Levine Fonts . Download Now Server 1 Download Now Server 3 Download Now Server 2 The hand lettered title card from the 1935 melodrama “Magnificent Obsession” inspired the digital revival Movie Classic JNL ; available in both regular and oblique versions. Movie Classic JNL