Richard Hills

Designed by Jeff Levine, Formal Invite JNL is a display serif font family. This typeface has two styles and was published by Jeff Levine Fonts . Download Now Server 1 Download Now Server 3 Download Now Server 2 The thin, condensed serif lettering found in a 1937 magazine ad for Chris Craft boats inspired Formal Invite JNL , which is available in both regular and oblique versions. Formal Invite JNL

Designed by Jeff Levine, Formal Invite JNL is a display serif font family. This typeface has two styles and was published by Jeff Levine Fonts . Download Now Server 1 Download Now Server 3 Download Now Server 2 The thin, condensed serif lettering found in a 1937 magazine ad for Chris Craft boats inspired Formal Invite JNL , which is available in both regular and oblique versions. Formal Invite JNL

Designed by Natanael Gama, Sinete is a display serif and monograms font published by Ndiscover . Download Now Server 1 Download Now Server 3 Download Now Server 2 Sinete , besides being and elegant and charming typeface, is also an extraordinary monogram set. You can create any 2 letter combination with its more than 350 handmade interlocking monograms. There is also the possibility of creating stylish 3 letter combinations. But that is not all, Sinete provides you with 30+ numeral ligatures and a variety of frames to combine with the monograms. This font also gives you the ability to create many text textures with its 4 case design approach (Uppercase, Small Caps, cantered Small Caps and “Opulent” Case). This gives you plenty of versatility. Make sure you play with the 9 Stylistic Sets provided. Sinete is all about creating wonderful words. Perfect for wedding invitations and other events as well as for refined logos and branding. This is also a great type

Designed by Natanael Gama, Sinete is a display serif and monograms font published by Ndiscover . Download Now Server 1 Download Now Server 3 Download Now Server 2 Sinete , besides being and elegant and charming typeface, is also an extraordinary monogram set. You can create any 2 letter combination with its more than 350 handmade interlocking monograms. There is also the possibility of creating stylish 3 letter combinations. But that is not all, Sinete provides you with 30+ numeral ligatures and a variety of frames to combine with the monograms. This font also gives you the ability to create many text textures with its 4 case design approach (Uppercase, Small Caps, cantered Small Caps and “Opulent” Case). This gives you plenty of versatility. Make sure you play with the 9 Stylistic Sets provided. Sinete is all about creating wonderful words. Perfect for wedding invitations and other events as well as for refined logos and branding. This is also a great type

Designed by Giuseppe Salerno and Paco González, Turquoise Tuscan is a display serif and serif font published by Resistenza.es . Download Now Server 1 Download Now Server 3 Download Now Server 2 Turquoise Tuscan

Designed by Hendry Juanda, Native Roast is a display serif font family. This typeface has three styles and was published by Letterhend Studio . Download Now Server 1 Download Now Server 3 Download Now Server 2 Native Roast is a serif font with 3 layered style. You can create vintage 3D look without using any add-on, only with fonts! This font is suitable for a vintage poster, 3d type, or retro Including number and punctuation, also support multi language. This font also contain a bunch of alternates! What will you get : - Native Roast Regular, Extrude & Shadow - uppercase and lowercase - numbers and punctuation - multilingual & stylistic alteranate - PUA encoded Native Roast

Designed by Giuseppe Salerno and Paco González, Turquoise Tuscan is a display serif and serif font published by Resistenza.es . Download Now Server 1 Download Now Server 3 Download Now Server 2 Turquoise Tuscan

Designed by Hendry Juanda, Native Roast is a display serif font family. This typeface has three styles and was published by Letterhend Studio . Download Now Server 1 Download Now Server 3 Download Now Server 2 Native Roast is a serif font with 3 layered style. You can create vintage 3D look without using any add-on, only with fonts! This font is suitable for a vintage poster, 3d type, or retro Including number and punctuation, also support multi language. This font also contain a bunch of alternates! What will you get : - Native Roast Regular, Extrude & Shadow - uppercase and lowercase - numbers and punctuation - multilingual & stylistic alteranate - PUA encoded Native Roast

Designed by Giuseppe Salerno and Paco González, Turquoise Tuscan is a display serif and serif font published by Resistenza.es . Download Now Server 1 Download Now Server 3 Download Now Server 2 Turquoise Tuscan

Designed by Hendry Juanda, Native Roast is a display serif font family. This typeface has three styles and was published by Letterhend Studio . Download Now Server 1 Download Now Server 3 Download Now Server 2 Native Roast is a serif font with 3 layered style. You can create vintage 3D look without using any add-on, only with fonts! This font is suitable for a vintage poster, 3d type, or retro Including number and punctuation, also support multi language. This font also contain a bunch of alternates! What will you get : - Native Roast Regular, Extrude & Shadow - uppercase and lowercase - numbers and punctuation - multilingual & stylistic alteranate - PUA encoded Native Roast

Designed by Dave Rowland, Megumi is a display serif font family. This typeface has two styles and was published by Eclectotype Fonts . Download Now Server 1 Download Now Server 3 Download Now Server 2 Megumi was originally commissioned as a headline face for a fashion and lifestyle magazine with a heavy Japanese influence. The uppercase letters are narrow and have an almost monospaced aesthetic, being influenced by Romaji letterforms. Serifs are severe, and curves sinuous. Although experiments were made with extra weight, it was decided that only this ultra light weight would be developed, to be set large in headlines. The italic has an over-the-top 35° slant (so slanted in fact that the backslash from the italic is the exact same shape as the forward slash in the Roman) and a discretionary ligature feature that can be engaged to add extra interest to headlines. The Roman has a few wide alternate glyphs for round uppercase characters. Both styles have a stylist

Designed by Dave Rowland, Megumi is a display serif font family. This typeface has two styles and was published by Eclectotype Fonts . Download Now Server 1 Download Now Server 3 Download Now Server 2 Megumi was originally commissioned as a headline face for a fashion and lifestyle magazine with a heavy Japanese influence. The uppercase letters are narrow and have an almost monospaced aesthetic, being influenced by Romaji letterforms. Serifs are severe, and curves sinuous. Although experiments were made with extra weight, it was decided that only this ultra light weight would be developed, to be set large in headlines. The italic has an over-the-top 35° slant (so slanted in fact that the backslash from the italic is the exact same shape as the forward slash in the Roman) and a discretionary ligature feature that can be engaged to add extra interest to headlines. The Roman has a few wide alternate glyphs for round uppercase characters. Both styles have a stylist

Designed by Rodrigo Araya Salas and Franco Hernández, Caleuche is a display serif and hand display font family. This typeface has eighteen styles and was published by Rodrigo Typo . Download Now Server 1 Download Now Server 3 Download Now Server 2 Caleuche is a typeface family of 18 styles, from its standard version Light to UltraBold such as Rough and Inline, it is a display typeface that plays with the style of action, mythology, terror and suspense. Caleuche

Designed by Jeff Levine, Summer Holiday JNL is a display serif and retro font family. This typeface has two styles and was published by Jeff Levine Fonts . Download Now Server 1 Download Now Server 3 Download Now Server 2 Hand lettered production credits for the1930 film “Holiday” inspired the digital type revival Summer Holiday JNL ; available in both regular and oblique versions. An Art Nouveau influence is reflected in this pleasant, casual serif typeface. Summer Holiday JNL

Designed by Jeff Levine, People Talk JNL is a display serif font family. This typeface has two styles and was published by Jeff Levine Fonts . Download Now Server 1 Download Now Server 3 Download Now Server 2 A title card with cast credits for the 1935 movie “The Whole Town’s Talking” (starring Edward G. Robinson and Jean Arthur) formed the basis for People Talk JNL . The hand lettered names were done in a slightly condensed slab serif – mostly rectangular in shape with rounded corners.  A few characters take on their own unique appearance. People Talk JNL is available in both regular and oblique versions. People Talk JNL

Designed by Jeff Levine, Summer Holiday JNL is a display serif and retro font family. This typeface has two styles and was published by Jeff Levine Fonts . Download Now Server 1 Download Now Server 3 Download Now Server 2 Hand lettered production credits for the1930 film “Holiday” inspired the digital type revival Summer Holiday JNL ; available in both regular and oblique versions. An Art Nouveau influence is reflected in this pleasant, casual serif typeface. Summer Holiday JNL

Designed by Jeff Levine, People Talk JNL is a display serif font family. This typeface has two styles and was published by Jeff Levine Fonts . Download Now Server 1 Download Now Server 3 Download Now Server 2 A title card with cast credits for the 1935 movie “The Whole Town’s Talking” (starring Edward G. Robinson and Jean Arthur) formed the basis for People Talk JNL . The hand lettered names were done in a slightly condensed slab serif – mostly rectangular in shape with rounded corners.  A few characters take on their own unique appearance. People Talk JNL is available in both regular and oblique versions. People Talk JNL

Designed by Gabriel Meave, Organica Pro is a display serif font family. This typeface has six styles and was published by Sudtipos . Download Now Server 1 Download Now Server 3 Download Now Server 2 Just as most buildings are based on a structure of vertical columns, horizontal floors, square angles and the occasional arch, most Latin typefaces are designed within a largely uniform, static, alphabetic structure that provides a framework for playing with the style of the terminals —serif, sans-serif, slab-serif, flared, Tuscan— without significantly modifying the deep anatomy of the letters. Orgánica Pro, by contrast, proposes a different structure: curvilinear, subtle and sophisticated, beyond the typical «sticks and balls» model. Organic anatomy, in one word; deliberately dynamic and asymmetrical. Over this radically distinct structure, terminals play a characteristic, expressive role that challenges easy classifications: Is this a serif or a sans font? A semi

Designed by Jeff Levine, People Talk JNL is a display serif font family. This typeface has two styles and was published by Jeff Levine Fonts . Download Now Server 1 Download Now Server 3 Download Now Server 2 A title card with cast credits for the 1935 movie “The Whole Town’s Talking” (starring Edward G. Robinson and Jean Arthur) formed the basis for People Talk JNL . The hand lettered names were done in a slightly condensed slab serif – mostly rectangular in shape with rounded corners.  A few characters take on their own unique appearance. People Talk JNL is available in both regular and oblique versions. People Talk JNL

Designed by Gabriel Meave, Organica Pro is a display serif font family. This typeface has six styles and was published by Sudtipos . Download Now Server 1 Download Now Server 3 Download Now Server 2 Just as most buildings are based on a structure of vertical columns, horizontal floors, square angles and the occasional arch, most Latin typefaces are designed within a largely uniform, static, alphabetic structure that provides a framework for playing with the style of the terminals —serif, sans-serif, slab-serif, flared, Tuscan— without significantly modifying the deep anatomy of the letters. Orgánica Pro, by contrast, proposes a different structure: curvilinear, subtle and sophisticated, beyond the typical «sticks and balls» model. Organic anatomy, in one word; deliberately dynamic and asymmetrical. Over this radically distinct structure, terminals play a characteristic, expressive role that challenges easy classifications: Is this a serif or a sans font? A semi