[ttwve] Download Jetlab fonts from Swell Type

Designed by John Roshell, Jetlab is a display sans and retro font family. This typeface has forty-six styles and was published by Swell Type.

Jetlab

Jetlab is a typographic time machine that drops you squarely into the techno-futuristic optimism of the 1960s, 1970s and 1980s!

While certain weights may conjure familiar space race-era logos from the sci-fi movies, board games, sports teams, new wave bands and sneaker brands of the late 20th century, the complete 45-weight Jetlab font family is loaded with modern features to power today’s retro-futuristic designs with near-infinite versatility.

Features:
- 45 weights provide widths from Squeezed to Stretched and weights from Light to Heavy, plus Reverse-stress (that’s thick horizontal strokes with thin verticals)
- high, medium and low crossbar options
- upper and lowercase letters provide two distinct styles
- a four-axis variable font provides precise control of width, vertical & horizontal weight, and crossbar height
- 500 glyphs support 223 languages, including Western & Central Europe and Vietnamese

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[jflkc] Download Tinkuy Patterns fonts from Sudtipos

Designed by Vanessa Tinizara and Alejandro Paul, Tinkuy Patterns is a dingbat font family. This typeface has six styles and was published by Sudtipos . Tinkuy Patterns Meaning of Tinkuy. Tinkuy is a Quechua word that means a meeting of opposing forces that complement each other. A meeting of opposites and differences. A meeting point where different thoughts, interests, feelings and aspirations confront and converge, providing the resurgence of new ways of thinking and that are embodied in confrontational actions, in mobilizations that seek change. Tinkuy patterns is born from the analysis of different archaeological pieces of native cultures of the Andes, where the visual signs that are recorded on them are related to the concept of encounter. It is part of the research project Crónicas Visuales del Abya Yala by designer Vanessa A. Zúñiga Tinizaray. The Tinkuy Patterns . The Tinkuy Patterns system is divided into six files containing a total of more than 2650 modules that

[zltxy] Download Mandrel Didone fonts from Insigne Design

Designed by Jeremy Dooley, Mandrel Didone is a serif font family. This typeface has fifty-four styles and was published by Insigne Design . Mandrel Didone A new family has sprung from the world of insigne. Mandrel Didone is his name. The face is well-liked by those with whom it seeks an audience because of its courtly demeanor and exquisite look. Mandrel Didone conducts itself beautifully in front of each set of eyes with a confident attitude, never wavering or tripping in its polished step. But, despite it’s gentility, this exquisite family is not weak in the face of adversity. Mandrel Didone is a powerful and conspicuous typeface that has towering x-heights, great contrast, confident bends, and sharp serifs. It is well-crafted for high-impact resistance. It uses its sharp serif ends deftly, cutting through opponents’ clumsy clutter in the battle for the reader’s attention. This noble family consists of nine weights and their matching italics, ranging from Thin to Black. M

[xpazh] Download TT Ricks fonts from Typetype

Designed by Anna Tikhonova and TypeType Team, TT Ricks is a display serif font family. This typeface has four styles and was published by Typetype . TT Ricks Important information! There is no Cyrillic support in TT Ricks ! We are glad to present you the new font TT Ricks , which continues the line of trendy and yet affordable TypeType Starter Kit fonts. TT Ricks is a flamboyant elzevir-type serif, for which the words “cute” or “calm” are not a fitting definition. TT Ricks can be classified as a display title typeface that works especially well at large and medium sizes in packaging design, book graphics and posters. The typeface is inspired by the pre-digital font “De Vinne”, which was designed in 1892 by the designer Gustav F. Schroeder. We liked certain aspects of the historical prototype, but at the same time, when creating TT Ricks , we did not want to limit ourselves—on the contrary, we were eager to discover a completely new spirit and bring bright details to t

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