Skip to main content

[xvpfx] Download Beardstown fonts from Swell Type

Beardstown
Beardstown BeardstownBeardstown

Designed by John Roshell, Beardstown is a display sans, grunge and retro font family. This typeface has three styles and was published by Swell Type.


Beardstown is solid, hardworking & no-nonsense. It may be a little gritty & rough around the edges, but it can also be open, warm and welcoming.

Beardstown is a little Midwestern town on a river with a town square where you can buy comic books from a spinner rack at the front of the drugstore and read ‘em with a root beer float from the soda counter in the back.

The Beardstown font is perfect for t-shirts, sports graphics, beer cans, trading cards, carnival posters and record albums. But that’s it. I mean, You could use it on foofy hipster stuff like organic produce, vegan meat substitutes, electric car accessories or mountain bike parts, but you risk Beardstown coming over there to kick your butt.

Features:
• three versions of each letter and two versions of each number automatically rotate for authentic print texture
• thirteen catchwords (like “and” “of” “for” & “the”) accessible in Discretionary Ligatures
• support for 223 languages including Western & Central Europe, Vietnamese & Cyrillic





Popular posts from this blog

[xpazh] Download TT Ricks fonts from Typetype

Designed by Anna Tikhonova and TypeType Team, TT Ricks is a display serif font family. This typeface has four styles and was published by Typetype . TT Ricks Important information! There is no Cyrillic support in TT Ricks ! We are glad to present you the new font TT Ricks , which continues the line of trendy and yet affordable TypeType Starter Kit fonts.   TT Ricks is a flamboyant elzevir-type serif, for which the words “cute” or “calm” are not a fitting definition. TT Ricks can be classified as a display title typeface that works especially well at large and medium sizes in packaging design, book graphics and posters.   The typeface is inspired by the pre-digital font “De Vinne”, which was designed in 1892 by the designer Gustav F. Schroeder. We liked certain aspects of the historical prototype, but at the same time, when creating TT Ricks , we did not want to limit ourselves—on the contrary, we were eager to discover a completely new spirit and bring bright details to t

[jflkc] Download Tinkuy Patterns fonts from Sudtipos

Designed by Vanessa Tinizara and Alejandro Paul, Tinkuy Patterns is a dingbat font family. This typeface has six styles and was published by Sudtipos . Tinkuy Patterns Meaning of Tinkuy. Tinkuy is a Quechua word that means a meeting of opposing forces that complement each other. A meeting of opposites and differences. A meeting point where different thoughts, interests, feelings and aspirations confront and converge, providing the resurgence of new ways of thinking and that are embodied in confrontational actions, in mobilizations that seek change. Tinkuy patterns is born from the analysis of different archaeological pieces of native cultures of the Andes, where the visual signs that are recorded on them are related to the concept of encounter. It is part of the research project Crónicas Visuales del Abya Yala by designer Vanessa A. Zúñiga Tinizaray. The Tinkuy Patterns . The Tinkuy Patterns system is divided into six files containing a total of more than 2650 modules that

[qwqjx] Download Franchise Pro fonts from Interrobang Type

Franchise Pro is a sans serif font family. This typeface has nine styles and was published by Interrobang Type . Franchise Pro FRANCHISE is a powerful display typeface meant to communicate rapidly and with power without compromising style. Franchise is just as much at home on the front of a donut shoppe as it is on the scoreboard at a football stadium. This was the original description given when the face was released, and it proved quite prophetic as the typeface has been used all over the world in just about every industry. You can get a small taste of its versatility by checking out the face in use. The full version is an extension of the original face, but it is also a re-working of it. Optical adjustments provide for a more legible face, and one that plays nicely in different weights. Rounded corners have given way to decisive edges and deliberate angles. Each weight speaks a distinct language on its own, but mixing the weights provides for an engaging texture and solid b