Skip to main content

[baaqi] Download CA Edwald fonts from Cape Arcona Type Foundry

CA Edwald
CA Edwald CA EdwaldCA Edwald

Designed by Thomas Schostok and Stefan Claudius, CA Edwald is a serif font family. This typeface has ten styles and was published by Cape Arcona Type Foundry.


CA Edwald, the superbly crafted alphabet design now available in 5 weights, combining the familiar, the unusual, the practical and the aesthetic.
Plan ahead and make use of the assorted logo letters that add distinction to your headline.
CA Edwald is a welcome addition to our ever-growing collection of alphabet designs. It is prepared to meet your graphic requirements.
Now there is one trusty Musketeer for today’s advertising.
The illegitimate child of Oswald Bruce Cooper and Ed Benguiat, a mixture or even the “best of”: CA EDWALD.

Unquestionably, the broadside is the heavy artillery of the direct advertising campaign—and CA EDWALD is the ammunition of greatest carrying and hitting power for these big guns of the selling drive.
CA EDWALD typeface was created for actual jobs. Not a fanciful conception of “artistic temperament”. Born to do plain everyday work and do it well. A heavy, solid typeface, with a crisp decisive look, as if it were straight from the workplace where it was designed.
CA EDWALD has that interesting quality called personality embodied with extreme of physical forcefulness. It speaks out boldly and drives home its a message by a vigorous and convincing manner of expressing a super sales type.
Light and Regular styles are suitable for the use in projects that speaks the language of conviction in elegance & finesse and have a distinctively harmonious rhythm and in no sense lose their personality compared to the bold speaking fat styles. There are a lot of alternates, starting and ending letters.
The rules of proportion have been slightly modified to fit the need of the Slab-Serif style. Rounded corners facilitate a more harmonious flow of letters, as well as facilitate the rapid flow of color.
The concept is to achieve a typeface with a more distinct personality for display purposes; a typeface that may serve as an alternative typestyle to other “monstrous” headline-typefaces of today that are used mostly for emphasising.
A typeface of much merit, strong in character, thoroughly original and many points of charm!





Popular posts from this blog

Nice and Easy JNL fonts from Jeff Levine Fonts - (ydvsc)

Designed by Jeff Levine, Nice and Easy JNL is a display sans font family. This typeface has two styles and was published by Jeff Levine Fonts . Download Now Server 1 Download Now Server 3 Download Now Server 2 The hand lettered title and credits for the 1937 film “Easy Living” (starring Jean Arthur and Edward Arnold) featured playful, casual Art Deco sans serif lettering. This became the working model for Nice and Easy JNL , which is available in both regular and oblique versions. Nice and Easy JNL

Mantequilla JNL fonts from Jeff Levine Fonts - (acthn)

Designed by Jeff Levine, Mantequilla JNL is an art deco font family. This typeface has two styles and was published by Jeff Levine Fonts . Download Now Server 1 Download Now Server 3 Download Now Server 2 Some unusual hand lettering was found on the cover of the 1924 edition of a Spanish language novel by Joaquin Belda entitled “La Hora del Abandono” (“The Time of Abandonment”). The title was created as all lower case characters in a semi-serif style reflecting the dawn of the Art Deco movement. A new set of capital letters was created for this digital revival, along with the numbers, punctuation and other necessary glyphs. Mantequilla JNL is available in both regular and oblique versions. For those unfamiliar with the Spanish language, Mantequilla (pronounced mon-tay-key-yuh) means butter. Mantequilla JNL

Vernacular Serif fonts from JPFonts - (jroya)

Designed by Volker Schnebel, Vernacular Serif is a serif font family. This typeface has twelve styles and was published by JPFonts . Download Now Server 1 Download Now Server 3 Download Now Server 2 About the typeface The build up of the inital project had the effect of bringing the different styles closer together. Sans and Clarendon have a vertical axis and similar endings in contrast to the Serif with a traditional diagonal axis.The straight stems from the original project are used as an element to stress the closeness of the type family. They thus share a comon feature. Vernacular Serif