[dfeoc] Download BigStripesMono fonts from Ingrimayne Type

Designed by Robert Schenk, BigStripesMono is a display sans font family. This typeface has four styles and was published by Ingrimayne Type.

BigStripesMono

BigStripesMono is another typeface family from IngrimayneType that explores the possibilities of alternating letters sets. The family is monospaced with four fonts: a base or solid style, an outlined style, and two styles in which each character is cut diagonally and the halves are separated to form two characters. These split styles are not designed to be used alone but layered with the base style, outlined style, or both to form colorful lettering with an unusual striped appearance. The stripe is not apparent in single letters but only in words or lines of text. For best results use an application that supports the OpenType feature Contextual Alternatives (calt) to alternate the letters of the split styles.
The four styles can be combined in several ways to create unusual lettering appropriate for titles, headlines, and similar uses. And if one wants a bold, monospaced, sans-serif face, BigStripesMono has that too.

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[xpazh] Download TT Ricks fonts from Typetype

Designed by Anna Tikhonova and TypeType Team, TT Ricks is a display serif font family. This typeface has four styles and was published by Typetype . TT Ricks Important information! There is no Cyrillic support in TT Ricks ! We are glad to present you the new font TT Ricks , which continues the line of trendy and yet affordable TypeType Starter Kit fonts. TT Ricks is a flamboyant elzevir-type serif, for which the words “cute” or “calm” are not a fitting definition. TT Ricks can be classified as a display title typeface that works especially well at large and medium sizes in packaging design, book graphics and posters. The typeface is inspired by the pre-digital font “De Vinne”, which was designed in 1892 by the designer Gustav F. Schroeder. We liked certain aspects of the historical prototype, but at the same time, when creating TT Ricks , we did not want to limit ourselves—on the contrary, we were eager to discover a completely new spirit and bring bright details to t

[jflkc] Download Tinkuy Patterns fonts from Sudtipos

Designed by Vanessa Tinizara and Alejandro Paul, Tinkuy Patterns is a dingbat font family. This typeface has six styles and was published by Sudtipos . Tinkuy Patterns Meaning of Tinkuy. Tinkuy is a Quechua word that means a meeting of opposing forces that complement each other. A meeting of opposites and differences. A meeting point where different thoughts, interests, feelings and aspirations confront and converge, providing the resurgence of new ways of thinking and that are embodied in confrontational actions, in mobilizations that seek change. Tinkuy patterns is born from the analysis of different archaeological pieces of native cultures of the Andes, where the visual signs that are recorded on them are related to the concept of encounter. It is part of the research project Crónicas Visuales del Abya Yala by designer Vanessa A. Zúñiga Tinizaray. The Tinkuy Patterns . The Tinkuy Patterns system is divided into six files containing a total of more than 2650 modules that

[qwqjx] Download Franchise Pro fonts from Interrobang Type

Franchise Pro is a sans serif font family. This typeface has nine styles and was published by Interrobang Type . Franchise Pro FRANCHISE is a powerful display typeface meant to communicate rapidly and with power without compromising style. Franchise is just as much at home on the front of a donut shoppe as it is on the scoreboard at a football stadium. This was the original description given when the face was released, and it proved quite prophetic as the typeface has been used all over the world in just about every industry. You can get a small taste of its versatility by checking out the face in use. The full version is an extension of the original face, but it is also a re-working of it. Optical adjustments provide for a more legible face, and one that plays nicely in different weights. Rounded corners have given way to decisive edges and deliberate angles. Each weight speaks a distinct language on its own, but mixing the weights provides for an engaging texture and solid b

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